124 patterns, 57 families, one library.

The Army's in-house near-twin of MultiCam, standard since 2015.

MARPAT's arid twin.

The Corps' 2002 digital — the first modern US digital pattern, with an embedded eagle-globe-anchor.

Navy's restricted desert digital, famous via SEAL imagery.

AOR1's green twin.

The Navy's green digital working uniform.

Crye Precision's 2002 transitional pattern; adopted as Army OCP baseline and by allied SOF worldwide.

The UK's MultiCam-derived replacement for DPM.

Bundeswehr's 1990 five-color dot pattern.

The Bundeswehr's multi-environment pattern, fielded from the mid-2010s for special forces.

Flecktarn's sparse desert twin.

France's Central-Europe woodland, big horizontal blotches.

France's Gulf-War desert pattern.

Italy's early-2000s 'mimetica vegetata' — organic woodland shapes with digitized edges, replacing the older Mediterranean blotch pattern.

Switzerland's Tarnanzug 90, the four-color successor to Alpenflage.

The Netherlands Fractal Pattern, a multi-tone transitional design rolling out across Dutch forces in the 2020s.

Spain's pixelated woodland, adopted in the late 2000s to replace its earlier blotch camouflage.

Greece's lizard-family pattern — horizontal strokes in greens over khaki, a Hellenic Army fixture for decades.

Sweden's 1990 issue — hard-edged geometric 'splinter' shapes in greens and black, a deliberate revival of splinter-style geometry.

Sweden's desert recolor of the M90 splinter, fielded for international operations.

Denmark's MultiCam-derived multiterrain pattern, adopted in 2011 to replace M84.

Norway's three-color woodland blotch, in service since the mid-1970s — one of NATO's longest-serving patterns.

Finland's mid-2000s digital, with shapes derived from photographs of actual Finnish forest.

Poland's 1993 'Pantera' woodland — green/brown/black jagged blotches that became the face of the post-Cold-War Polish military.

Serbia's digital pattern, adopted around 2010 for the modernizing Serbian Armed Forces.

Ukraine's 2014 digital pixel pattern in muted olive-grey tones, adopted as the armed forces' standard issue.

The world's first issued digital pattern (2002), parent of MARPAT.

The arid colorway of Canada's pioneering digital, fielded for Afghanistan.

The Australian Multicam Camouflage Uniform, adopted in the mid-2010s — MultiCam's palette rendered with AusCam-style shape geometry.

The PLA's 2007 pixel family — the universal colorway issued across China's ground forces in muted green-grey digital.

The PLA's Starry Sky family, introduced from 2021 to replace Type 07.

South Korea's 2011 army digital, designed around the granite-and-green mountain terrain of the Korean peninsula.

The Indian Army's DPM-family woodland, standard from the 1990s.

Russia's current digital standard.

Japan Ground Self-Defense Force issue — the current iteration of the blotch pattern family Japan adopted in the early 1990s.

The SANDF's post-apartheid pattern — mottled greens and browns for southern African bush.

Colombia's pixelated pattern, adopted in the late 2000s for the fight in the country's jungles.

The Czech Republic's four-color leaf pattern, adopted in 1995 and still standard.

Ireland's own DPM-family woodland — darker and greener than the British drawing, nicknamed paddyflage.

The SAF's pixelated No.4 uniform pattern, adopted in the late 2000s.

WWII M1942 spot pattern, later a Vietnam-era icon via surplus; named for its postwar popularity with duck hunters.

Crye's overwhite variant.

Crye's desert-weighted MultiCam variant.

Crye's black-and-grey styling variant, marketed for LE identity.

Crye's green-weighted variant for jungle.

SRVV's commercial Russian digital.

SSO's leaf-print reversible, echoing WWII partisan smocks.

Kryptek's high-alpine hunting colorway, built for above-treeline rock and scree.

Kryptek's transitional commercial pattern with 3D lattice.

Kryptek's green lattice.

Kryptek's open-desert colorway in pale sand tones.

Kryptek's black/grey styling pattern.

Kryptek's snow colorway — the lattice rendered in white and grey.

Arid/Urban micro-pattern using organic pixel clouds.

The foliage-green sibling.

A-TACS's 2017 intermediate colorway, blending the AU and FG palettes for year-round terrain.

A-TACS in grey-blue, designed as a law-enforcement colorway.

PenCott's transitional colorway.

British-designed commercial digital with fractal edges.

PenCott's grey urban colorway.

PenCott's arid colorway for open sand and dry rock.

PenCott's overwhite colorway with the family's fractal micro/macro structure.

Optifade's treestand pattern, engineered for the steep downward sight-line of whitetail hunting.

The western big-country sibling.

Science-first pattern engineered around ungulate vision.

Optifade's open-marsh waterfowl pattern, engineered around bird vision.

The flooded-timber sibling of Optifade's waterfowl line.

Realtree's All Purpose pattern of the late 2000s — grey-toned timber photorealism.

Photorealistic hunting camo built from actual foliage imagery.

Realtree's 2013 waterfowl pattern, packed with reeds, grasses and stubble.

The 1986 dirt-and-bark original, revived hard in waterfowl culture.

The 2016 entry in Mossy Oak's Break-Up lineage, with oversized limbs and bark.

Mossy Oak's spring turkey pattern, heavy on green foliage.

Mossy Oak's waterfowl grass pattern, refreshed over the years into today's Habitat version.

TrueTimber's flagship pattern, layering grey-brown branches over an open neutral base.

First Lite's original big-game pattern of broken earth tones for western hunting.

'All Season All Terrain' — the 1985 cult classic that never changed.

German confusion camouflage released in the late 2010s, layering fine detail over larger shapes.

Tigerstripe redrawn in desert tans, produced commercially from the early 2000s.

Open-pattern hunting camo from the same era as ASAT.

Jim Crumley's 1980 vertical bark pattern — the design that launched the modern hunting-camo industry.

The black-white-grey recolor of M81 Woodland that filled 1980s-90s surplus shops.

King's Camo's desert pattern for open western hunting country.

Moon Shine Camo's pink-and-purple lifestyle pattern of the 2010s.

The 1980s US overgarment pattern — a grey-green grid designed to defeat Soviet first-generation night-vision devices.

1948 Engineer Research & Development Lab pattern, issued widely in Vietnam; M81's direct parent.

The US WWII reversible spot camouflage — green jungle face on one side, tan beach face on the other — first issued in 1942.

The 1981 US standard that defined 'camouflage' for a generation — green/brown/black/tan in bold blotches.

The 1950s US reversible leaf/cloud print, best known as the M1 helmet cover of the Vietnam War.

1980s US desert pattern with black-on-white 'cookie' rocks; famous from Desert Storm.

The 1990s 'coffee stain' replacement for chocolate chip; standard through early GWOT.

The Army's 2004 universal grey digital — an attempt at one-pattern-everywhere.

A 2009-2010 trial variant of UCP with coyote brown added, tested for Afghanistan.

The Navy's blue-grey pixel working uniform of 2008 — universally nicknamed blueberries.

The Air Force's grey digital tiger stripe, retired for OCP.

Vietnam-era ARVN/SOF stripes, never a US standard issue but iconic with advisors and SEALs.

The brushed splodge print of WWII British windproof oversmocks, in pale sand, pink-tan and green.

The pattern of the British airborne Denison smock, introduced in 1942 — broad green and brown brushstrokes over a sandy base.

Britain's two-color desert DPM, fielded around the 1991 Gulf War and standard through Iraq and Afghanistan until MTP.

Britain's brushstroke-descended Disruptive Pattern Material, decades of service.

East Germany's first camouflage — a 1950s four-color blob print nicknamed the potato pattern.

East Germany's 1965 'rain pattern' — sparse vertical red-brown dashes on a grey-green base, issued until 1990 and exported widely.

France's late-1940s paratrooper pattern of horizontal green and brown strokes on khaki, worn through Indochina and Algeria — the direct ancestor of tigerstripe.

Italy's 1929 three-color blotch — the world's first mass-produced printed camouflage, used on shelter-halves and smocks through WWII and after.

Switzerland's 1957 issue, descended from late-1940s European experiments — famous for its dominant red-brown blotches with green, black, and cream.

Belgium's mid-1950s pattern of interlocking puzzle-piece shapes, in service into the 1990s and widely seen in the Congo.

The Netherlands' own DPM-style woodland, standard from the early 1990s.

Portugal's vertical-stroke lizard, standardized in the early 1960s and worn through the colonial wars in Angola, Mozambique and Guinea-Bissau.

Denmark's 1984 adoption of Flecktarn-style dot geometry, reduced to three colors — light green base with olive and black flecks.

Finland's 1962 mottled camouflage — soft sprayed patches of green, brown and grey.

Poland's 1960s Moro print — small dark spots scattered on olive cloth.

Czechoslovakia's 1960s sponge-dabbed two-tone print, nicknamed salamander for its mottled-skin look.

The JNA's late-1980s oak-leaf (hrastov list) woodland, standard as Yugoslavia broke apart.

Ukraine's post-Soviet oak-leaf pattern from the TTsKO lineage, standard through the 1990s and 2000s.

Australia's 'hearts and bunnies' blotch pattern.

Australia's desert recolor of DPCU, developed for Afghanistan and Iraq deployments.

New Zealand's own multi-terrain pattern of the early 2010s, replacing NZ DPM.

The PLA's 1987 woodland blotch — China's first widely issued camouflage family.

Soviet 'sunray' one-piece oversuit pattern with stair-step texture.

The Red Army's 1935 amoeba camouflage — big looping blobs on a khaki or green base, issued as loose oversuits.

Late-Soviet three-color 'amoeba on green' issue.

90s Russian issue — horizontal 'watermelon' stripes.

The 70s brushstroke that armies of the region wore; ancestor aesthetic to many.

The Afghan National Army's proprietary green forest digital, procured from around 2008.